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What folks have done ever since—their hopes and fears and anger, their pleasures, joys, and toing and froing—is my volume’s hotch-potch.

Juvenal’s Satires

Juvenal’s Satires provide a fascinating window onto the social melting-pot that was early second century CE Rome. But they also hold up a mirror to those whose feelings of alienation and disempowerment produce a bitter distortion of that society.

Robert Cowan, Senior Lecturer in Classics, University of Sydney

c. 100–127 CE

Juvenal wrote 16 satires, divided into five books. Most are between 150 and 300 lines in length, except for the monstrous sixth satire attacking women and marriage, which rants on for over 650 lines and takes up a whole book on its own. Each satire has its own theme or target, ranging from decadent aristocrats and hypocritical moralists to giant turbots (a fish) and Egyptian cannibals, but this theme only loosely constrains a free-flowing structure which follows the satirist’s fulminating stream of consciousness.

Contradiction is the essence of these poems. The satirist indignantly condemns Rome’s vices as he pruriently lingers on their salacious details. The sheer force of his outrage and the vigour of his rhetoric sweep the reader along at the same time as she recoils from his bigotry. In Juvenal’s own words, it’s difficult not to write satire, and once you are sucked into its twisted world, it is difficult not to read it. But working out what to make of it is really difficult.

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rome, italy

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